Shakespeare uses a variety of dramatic methods in the first act to present Lear as a tragic hero. Shakespeare tragedy is intimately linked to Aristotles classical precept of tragedy. The protagonist moldiness be an admirable but flawed compositors case that the audience must be able to sympathise with. This precept of tragedy epitomises the character of Lear.
In Aristotles precept of tragedy the downfall of the protagonist is caused by hamartia or fatal flaw. Lears fatal flaw is his egotism. Despite great(p) the love attempt to his daughters, he says in his interaction with Cordelia, I loved thee most, having decided ahead to give her a third more opulent than your sisters. The love test is merely to appease his egotistical side. It is his egotism in the first act that leads to his ultimate downfall.
Lear still wants to retain the prestige and opulence of a monarch, only wanting to give up the responsibility. His wild behaviour shows when telling Kent to not come between the calculus and his wrath. His rage causes him to banish Kent.
This adds to the tragic element of the fabrication as Kent is one of Lears only truly loyal advisors.
Shakespeare makes use of aside in the first scene, where Cordelia is panicking about not knowledgeable what to say to her father, being aware of how her answer could affect his behaviour. Gonerill and Regan both give flattering and obsequious replies which pleases Lear. However, the use of flowing voice communication such as I love you more than word rout out yield the matter, / Dearer than eyesight, space and liberty, Shakespeare purposely makes their declarations of love so uttermost(a) that they seem false. The repetition of Cordelias reply of Nothing emphasises the contrast of her response. She is being sightly and restrained. She does not wish to lie...If you want to get a blanket(a) essay, order it on our website: Orderessay
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