Additionally, William Faulkner was an support liberal. He was heavily involved in the integration battle. He became involved with some liberal members of the University of disseminated multiple sclerosis faculty to progress to a moderate group in the face of what was thence ('60s) a coming struggle. At this time, Faulkner published an essay called, "If I Were A Negro" which "Ebony" Magazine bought for $350.
Slavery, and in government agencyicular, hybridization be prime subjects in Faulkner's body of work. As presented by William Faulkner, the bloods of the whites and negroes do not fuse together--they remain independent and antithetic. This intention of fusion of races is most pronounced and evident in Light In August. Joe Christmas is not a mulatto. He is white and negro. fit to Faulkner, the white and black bloods run separately in his veins. The antithesis is seeming even in Joe's clothing, which, Faulkner reminds us, consists of black and white.
In Faulkner's letters to ergodic House and Robert K. Haas in particular, there is his persistent use of the excogitate " jigaboo." Sometimes he uses "negro," but more often "nigger" is the preferred word, as in "four stories about niggers," or "nigger attitude about debt." By 1940 the word had require so beyond the pale in common economic consumption that one wonders why Faulkner did not recognize that Haas, a Northerner, a Jew, a
Faulkner connected sacking of the land to loss of values and ethical systems which in outlaw leads to decline and fall. To link these topics was not to reduce them, for each in its own way was an important topic, Faulkner's "American" topic. By reacting so strongly to the inroads of the new and modern and by attaching that to the fall of the South, Faulkner had furthermost more than a regional theme. This was not some mythical nation he wrote about, but a nation caught by class, caste, political and economic issues; all of it linked to land and people. This was part of Faulkner's genius.
Kreiswirth, Martin. William Faulkner, The Making of a Novelist. Athens: U of Georgia P, 1983.
The rouse is, with all his intelligence and heavy reading, rock candy remained a small-town boy. His class from Yale University gave him a certain intellectual patina, but underneath he remained attached to Oxford, Mississippi in ways that Faulkner was not. While treasure used Oxford and Lafayette County for much of his fiction, his purview extended well beyond. For Phil Stone, Oxford and Mississippi were the world, and he was eager to keep his friend within that world. despite the great service he performed, a narrowness and provinciality underlay all, although Faulkner resisted.
Karl, Frederick R. William Faulkner: American Writer. New York: Weidenfeld & Nicolson, 1989.
In terms of Faulkner's attitude toward sorry southern whites, there is much to go on, especially in Faulkner's immediate family. The southern white family in which Faulkner grew up was be in one term: racism. Witness the following: Philip Stone was Faulkner's mentor. Stone wanted to keep Faulkner under control--to have him pass away a Mississippi writer, not one on a national or international scale. The homosexual implications of this relationship are obvious, but nowhere stated in any recital of Faulkner (Grimwood 146).
Davis, Thadious M. Faulkner's "Negro": Art and the Southern Context. Baton Ro
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