Comparison & Contrast: Two Poems on Dover Beach

This structure is very measurable for highlighting the spatial relation and tone of the verbaliser. Like the structure, his belief in love has been eroded. He is melancholy that true love is a good deal incomplete and with off resolution, much like the structure. He charms a worldly concern of potential in lovers being true, only this world, to him, "Hath re in ally uncomplete joy, nor love, nor light, / Nor certitude, nor peace, nor help for pain" (Arnold 1).

The structure of Hecht's poem is free verse, missing the semi-formal structure and rhyme evident in capital of Delaware Beach. The structure of this poem and the lack of rhyme underscore the item that this loud vocaliser system is repeating a rant from the beloved of the loudspeaker system in Dover Beach. By using this structure, the speaker's voice and attitude come off more like natural speech, for this speaker is voicing the disgust and disappointment of Arnold's speaker's beloved. She is not an ugly or an unread girl, but she is disappointed that with all the potential for dream in the air, the speaker in Dover Beach is entirely worried about the woe in the world, "?she got to looking out / At the lights across the channel, and really felt sad, / Thinking of all he wine and enormous beds / And blandishments in French and the perfumes" (Hecht 1).

in both poems is radically different. In Dover Beach, the speaker is painting a very sick view of the world in which he red-hots. He informs us in stanza four that none of the values that human beings know for are offered by existence, "?we are here as on a darkling plain / Swept with confused alarms of assay and flight" (Arnold 1). Word choice is significant here, as Arnold's speaker is bringing up the most basic of human reactions to existence, the labour or flight response. While this speaker only views the "?

nebulose ebb and flow / Of human misery" in his observations of nature, the speaker in The Dover Bitch is less concerned with plenteous philosophical notions of existence (Arnold 1). For in The Dover Bitch, the speaker informs us that the beloved of Arnold's speaker is not moved by " savage allusion to the sea" or the writings of "Sophocles", instead, she is more interested in enjoying the moment at hand: "But all the sequence he was talking she had in mind / the notion of what his bewhisker would feel like / On the back of her neck" (Hecht 1).

The speaker in Dover Beach desperately pines for true love. We see this by the use of word choice, "Ah," he sighs in the concluding stanza, "love, let us be true / To one other!" (Arnold 1). The speaker in The Dover Bitch, in contrast, is aware of philosophical system and the inevitability of human disappointment and loss. However, this speaker has chosen to live in the moment instead of pining away from slightly absolute value like true love, "We have a drink / And I give her a good time, and by chance it's a year / Before I see her again, but there she is, / Runnin
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