A Tale of the Chippewa's Efforts in Maintaining their Lands & Culture

He is old and knows his stories mustiness be not only told but traversed if the Chippewa hereditary pattern is to survive. As he says of his tales, stories that make up the "tracks" of the novel, "They're all attached, and at one time I start there is no end to tattle because they're hooked from one side to the other, mouth to tail," (Erdrich, p. 46). Thus, like the stairs of a track or travel plan, the stories represent the continuation and club of Chippewa heritage.

The tracks of Erdrich's novel help to lay the path that explains the importance of tribal tradition, myths, and stories. Nanapush represents the expire link between the track or path to Chippewa heritage, an old Chippewa who has grown tired from having to keep the myths, tradi

ions, and stories of the Chippewa in his honcho.

He has had to keep them in his head in place to retell them so that others can continue this heritage, preserve it, and maintain it. As Nanapush maintains, "Talk is an old man's last vice. I opened my mouth and wore out the boy's ears, but that is not my fault. I shouldn't have been caused to live so long, show so much of death, had to squeeze so many stories in the corners of my crain," (Erdrich, p. 46).

Erdrich, Louise. Tracks. stark naked York: Henry Holt, 1988.

We see that the "tracks" of Tracks are the stories told by Nanapush in order for the Chippewa to have a trail or path on which they can further Chippewa heritage. In one part of the story, Nanapush explains that he is k
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