The contrast that Pablo Picasso is assay to depict is not just relevant in the range of mountains in the mirror, but also by the color palette he chose. On the young female childs innocent side, the colour in come out to be more pure and subtle with one one-half of her face a pale pink, her hair padded and blonde, and what looks like a white silhouette or halo rough her head, and as her image gets closer to her saying in the mirror, the alter start to become more intense not so simple or innocent. The transformation of the colors from her standing there, to her reflection in the mirror, shows a darker, older, more voluptuous woman. He portrays this by using darker colors like the darker blue silhouette nearly her head, her face becomes a darker shade of purple, and what used to be her soft blonde hair is replaced by darker hues. The interpretation of the contrasting colors is just one way the artist tried to expatiate what his mistress felt, thought, and saw of herself.
Pablo Picasso demonstrated his piece also through her expression, her stance, how she embraces the mirror as she starts to realize that she is becoming a woman and as it appears carrying their love child. As the young serene girl sees this new image of herself she starts to cry. The image of her being sad or maybe even scared is depicted through her eyeball which are sunken in, her mouth which is pouty and a tear that hurry down her cheek. By the way she is clutching the mirror and not look in a flash at her-self shows that possibly she is regretful, ashamed, in disbelief and not happy with what she sees.
The fact that she is looking out and not directly at her-self could be her looking for approval from those that are judgment her The woman in the...If you want to get a intact essay, order it on our website: Orderessay
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