Wednesday, January 23, 2013

Cold War Fears As Represented In Films Of The 1950s

Your NameSent toPurposeDD /MM /YYCold warfare Fears as Represented in Films of the mid-fiftiesIntroductionBy the fifties , America found itself in a position of leadership - one of only two major global superpowers . Americans bring up the leadership of the free world in a counterpoint with the communist world led by the Soviet sodality (Bernstein 136 . In a way , the Second World war had a familiar hue for those who had survived the first - a appointment drawn out of German aggression and central European politics (LoBrotto 45 . The Cold struggle , on the some other hand , with its global scope and horrific weaponry , was an uncharted terrain - a terrain into which America was to lead its allies and the worldThe prominence of the multitude and war readiness in American culture was similarly reflected in the films of the period (LoBrotto 48 . Indeed many critics of primal science fiction films focus on the influence of the host and Cold War ideology on these films . During this time shed , the cold war effects and the ideologies of the social environment towards it were greatly revealed (Bernstein 136 . The concerns of fears from nuclear threats , communism , etc , were evidently engraved and depicted with these cold war films . As for the study , the primary subjects pretend the discussion on the films that had the exploratory influence in the handle of cold war fear exposure . The discussion utilizes triple primary films , namely Kiss me Deadly , High noon , and Invasion of the Body Snatchers in to correlate the issue concernedDiscussionCold War Films and Implications of Social FearIn the 1930s , Americans feared they were being dragged into chaos by immaterial forces they could not control . Arguably , the Second World War did not end in 1945 but merely change into a second phase . Fascism had been the first confrontation , an enemy engaged by means of direct combat (LoBrotto 48 . fabianism was the second enemy .
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With the introduction of atomic weapons , this was an enemy that could not be engaged directly but rather , through a series of indirect clashes . The Cold War began intimately immediately after the defeat of the Axis powers (Bernstein 136 . The Soviet impede of Berlin began in 1948 but was defeated within a yr by an allied airlift of supplies into the besieged city (LoBrotto 48 By 1949 , the Soviet Union had exploded its own atomic bomb , and both countries were soon pushing to develop to a greater extent powerful weapons such as the hydrogen bomb . epoch war-related films were most dominant during the early 1940s , averaging more than 25 percent of the between 1942 and 1944 , the 1950s saw a self-colored number of war-related films , averaging almost 10 percent of the between 1951 and 1959 . The 1950s were also a time when , as Per Schelde notes , portraying the phalanx in heroic terms was still the norm (Bernstein 136 . This consensus was a great deal towards acquiescence to the authority of the state , usually represented by military officials Andrew Tudor argues that the science fiction films...If you want to happen a full essay, order it on our website: Orderessay

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